Tony Kaye Returns to Yes … in 1980?

The years between Drama and 90125 are a bit of a mystery in the history of Yes—even more so after hearing this story told by Tony Kaye.

In a recent interview with Something Else! Kaye talks about about a possible reunion with Chris Squire and Steve Howe in Yes in 1980. The keyboardist spent much of that year in Miami recording Say No More with Badfinger. While he was there he met up with Squire, who floated the idea.

“Just as it happened, the Drama tour played in Miami, and I was living next door to Chris Squire’s wife and kids on Key Biscayne,” he said. “It was just one of those moments where everything comes together. I went to the show, and Chris came back and we talked. He wasn’t that happy with what was going on at the moment with (then Yes frontman) Trevor Horn and (keyboardist) Geoff (Downes). It was just an idea of getting the band back together, really. Of course, it didn’t turn out like that, because Jon was away doing one of his projects.”

Kaye’s memory may be playing tricks on him—it’s not clear that the Drama tour ever stopped in Miami—but surely there’s some truth to the story. My guess: The Squires decamped to Key Biscayne during a break between the US and European legs of the tour and the bassist bumped into his old bandmate then (Yes were on break from Oct. 20 to Nov. 16; Badfinger finished recording sometime in November).

In any event, it seems Squire briefly toyed with ditching Horn and Downes and relaunching the band with a lineup of Squire, Howe, White, Kaye and Anderson. Who knows if this could have come to pass; Squire is known to have entertained the occasional scheme to keep the Yes engine running, but Howe and White might not have been on board (nor Anderson, for that matter). Still, it’s fun to imagine what might have been if the band had followed this alternate path.

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Posted in Progdate: 1980, Tony Kaye, Yes

’80s Prog in a Nutshell: Keith Emerson, a Kurzweil and a Cosby Sweater

From Keyboard, July 1986, p. 39.

From Keyboard, July 1986, p. 39.

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Posted in Keith Emerson, Progdate: 1986

‘Downton Abbey’ Star to Support Mike + The Mechanics

If you’re a fan of both ’80s prog and “Downton Abbey”—and really, who isn’t—you’ll want to hear this. Elizabeth McGovern, who plays the long-suffering Cora on the hit TV drama, will be supporting Mike + The Mechanics on the band’s upcoming UK tour celebrating the 25th anniversary of The Living Years. McGovern will be performing with her side project, Sadie & The Hotheads, “a band of red-faced, grey-haired pub rockers … apparently led by McGovern’s guitar teacher,” according to The Guardian’s Neil McCormick.

The Mechanics are pulling out all of the stops for the anniversary, which is technically in 2013. In addition to the tour, fans will be treated to both a re-release of The Living Years with a new version of the title track and a new compilation of hits, called The Singles: 1986-2014.  This 2-CD collection will also offer B-Sides, a new song and a song from the vaults, apparently a duet sung by Paul Carrack and Paul Young.

We’re looking forward to all of that, of course. But for now, check out Sadie & The Hotheads’ rollicking “Nothing New.”

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Posted in Mike + The Mechanics, News, Progdate: 1988

Nice Socks, Carl!

Carl Palmer

From Modern Drummer, June-July 1980, p. 49.

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Posted in Carl Palmer, Progdate: 1980

You Can’t Un-See This Video for Jon Anderson’s 3 Ships

I love Jon Anderson’s 3 Ships. From the moment I unwrapped the LP on Christmas morning 1985, I’ve been enamored by it. The stylish cover art. The pristine sound (if memory serves, the keyboard-heavy arrangements mostly feature the digital Synclavier system). The warm takes on Christmas classics. The equally enjoyable original songs. The album is by turns stately and buoyant, traditional and almost-kind-of-rocking. And “O Holy Night” might well be Anderson’s finest moment outside of Yes.

I can only thank God, then, that I never saw the 1985 video for the title track, which was recorded in MTV’s studios with the entire original cast of veejays. From the cheesy opening animation to Anderson putting the moves on Martha Quinn, the video is so over-the-top goofy it completely undermines whatever sense of warmth and holiday cheer the song might engender otherwise. And note to Jon: We already suspected you were secretly an elf. Dressing like one—with tights and a puffy shirt, never mind the Santa cap—isn’t helping your case.

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Posted in Jon Anderson, Progdate: 1985
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